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The art of root is only one of them. But it should not be underestimated.
These Chinese jewelry, like bright pearls, light up Oriental Art. Its ancient simplicity, its bohemian, its state of the wilderness, let us see a piece of poetic, and then return to the primitive world. There are no gorgeous colors, no contrast between light and shade, no flowers, birds, grass and insects, no landscape scenery. There are only magnificent shapes one by one and desolate ancient meaning one by one.
In the world of root art, what you see is the truth after peeling off the skin appearance, the feeling of awkwardness after abandoning the color, and the massiness and grandeur after returning to nature.
The roots grow into ears and bend into ears, one left and one right. In a retrospective interview with Tian Jiaxiang, he said, "this pair of ears, listening to the wind from all directions, turns a deaf ear to me. It"s just an idea at that time. In today"s world, there are too many temptations, noisy voices and big ears. On the contrary, the hollow circle makes it easier for idle things to roar and go with the wind. "
The body is not smooth. The mottled tree patterns climb up, and the branches and eyes on the two wings of the body make the bright Jianshui pottery less tender and more heavy. The edge of the front bark is concave inside, and it looks like it is going to fall off. This kind of picky craft construction often touches the unexpected reality.
We often in the mountains between the ups and downs, lament the plain plain plain, also in the boundless plain, marvel at the towering majestic mountains. The same is true of root art. It is not smooth, nor mottled. The tacit understanding between the two will make the root art rise and fall like mountains, majestic and precipitous, and make the smooth land as flat as a river.
This kind of role-playing between each other, each makes its own beauty, just like flowers and green leaves, the more delicate the charming, the more silent the unknown. It is commendable that, in the minds of craftsmen, these unobtrusive ideas are often used with one stroke after accumulating over time.
Seeing that the real object is more than ten thousand words, root art can occupy a seat among the thousands of potteries. Its mottled, vast and clumsy undoubtedly has such foundation.